I came to this day knowing about Jeff Goins' work but not familiar with CreativeLive. Now I know I will explore more classes.
THIS class offers so much value to the participant. You will gain a boatload of confidence and terrific ideas, as well as learn a step-by-step process to take action on your idea and make it something you can be proud of and grow your creative idea upon. Jeff's teaching is clear, inspiring and actionable. Unequivocally worth the investment. Jeff has a terrific delivery method of his material. He is passionate about writing and truly wants to help other writers make a living doing what they love.
This class, his books, and his courses are all worth your time and money. Lots of call to actions that, if you do them, will help you become a successful and prolific writer.
Guest Author – Helen Kitson on Writing about Writers
Thank you Jeff! You rock! Skip to main content. Part of the problem is the working writers chosen to contribute to this collection are pretty much all traditionally published writers of literary fiction. None are scrappy indies of the kind who are sweeping the amazon Kindle bestseller lists. And almost none of them write genre fiction, which is were the money, such as it is in the book business, can be found. They share a proud disdain for money, acknowledging it as a necessary evil but definitely unclean.
Compounding my dissatisfaction, the essayists in general make some of the most titanically bad financial decisions that parts of the book could be re-issued as a cautionary tale in poor personal financial planning. Is it because these people are creatives? Plenty of indie writers have embraced the practical side of the writing business.
The fact that many of the essayists are also Park Slope-dwelling millennials, a group not known for its get-up-and-go tenacity, does not help. So unfortunately I will not be recommending Scratch to my fellow authors in Sacramento, nor will I give it to the authors I sign at ScienceThrillers Media. Jul 29, Richard Thomas rated it really liked it. Really enjoyed this. A few essays were a bit flat or dry, but overall the majority were really interesting, and I enjoyed this a lot.
Great advice. May 05, Shelly rated it really liked it Shelves: non-fiction , writing , release. An interesting collection of essays and interviews. Manjula Martin is an excellent interviewer. Scratch, the book, is a brilliant resource for writers, to help them understand and navigate the complicated world of making a living or not through writing. Freelancing - yes or no? How much is enough marketing and promotion? Should I write for free to build my profile? Creative writing courses - yes or no? When do I know I've made it? How much do writers earn?
Martin and her contributors including Cheryl Strayed and Jonathan Franzen answer other such complex questions in this book of essays on 'Writers, Money and the Art of Making a Living'. Jun 30, Jeannine rated it really liked it Shelves: non-fic. Definitely interesting set of essays and interviews on how different writers interact with and think about money, from struggling poets to millionaire novelists and television writers.
Several essays set my teeth on edge, but every one of them was refreshing in its sort of perverse glee in discussing that most taboo subject for artists - money. Jul 12, PS rated it liked it Shelves: on-writing-reading , north-america. Overall, this was an uneven collection — some essays were really interesting, but barely scratch ed ha the surface of how writers really make money. Nothing groundbreaking. Jan 08, Beth Browne rated it it was amazing. As with any anthologized book, there were great essays, mediocre ones and very good ones in this collection.
Overall, the theme is welcome. Money is always such a twitchy subject, and for writers, or any sort of creative type, it can be downright pathological. I was really hoping to find some words of wisdom in here and there were some, but after finishing the book I realize that everyone has their own personal relationship with money and ultimately, everyone has to come to their own particular As with any anthologized book, there were great essays, mediocre ones and very good ones in this collection. I was really hoping to find some words of wisdom in here and there were some, but after finishing the book I realize that everyone has their own personal relationship with money and ultimately, everyone has to come to their own particular peace with it.
However, this book offers a very intimate look into the lives of some very well-known authors, some of whom may be your idol. For that, I would recommend the book very highly. Jennifer Weiner not my idol, btw captivated me with her very personal, very moving essay. It was the highlight of the book for me.
If you're looking to solve your creative financial woes, look elsewhere. If you're looking for thoughtful, intimate essays about your favorite writers' take on writing for money, pick this one up. It's a good one. Sep 27, Karen rated it really liked it Shelves: non-fiction , books-about-writing. As with any essay collection, this was a mixed bag. I read it over the course of about 7 months so it would be difficult to pinpoint my favorites, although I'm a huge fan of Cheryl Strayed and loved reading the story of her writing career.
The essay towards the end from Daniel Jose Older was also excellent and made me want to read some of his books, although urban fantasy isn't usually my thing. I most enjoyed the personal essays about the real lives of writers. A few were pretentious or cynical As with any essay collection, this was a mixed bag. A few were pretentious or cynical but that's to be expected. The prevailing theme here is don't quit your day job. If you're going to be a writer, expect to have other sources of income as well. A few contributors were the exception to this: Jennifer Weiner's piece, about how she had achieved financial success from her writing and yet has continually been critically derided, was particularly honest and moving.
Overall a worthwhile and interesting read for anyone who writes or has literary aspirations. Mar 31, Denny rated it liked it Shelves: business , nonfiction , writing , anthology , essays. An impressive collection of essays by a wide range of working writers with wildly varying voices and styles. Although at first I felt a couple of the essays didn't belong due to their tone or subject matter, I later decided my opinion of the book's scope had been too narrow.
If you are looking for advice on how to break into a career as a writer, you'll find little of it here. But if you've already embarked upon that path, you'll appreciate the honesty and the plethora of dispensed wisdom from t An impressive collection of essays by a wide range of working writers with wildly varying voices and styles. But if you've already embarked upon that path, you'll appreciate the honesty and the plethora of dispensed wisdom from this diverse pool of those who have gone before.
If I were younger and still entertained realistic dreams of becoming a working writer, I'd purchase a copy of Scratch and consider a subscription to Mrs. Martin's magazine of the same name. Mar 18, Aditya Hadi rated it really liked it. Scratch is a collection of essays and interviews from various literary people. They're talking about a big question, whether a writer should focus on composing a great art, or in making money.
And like what i said at the beginning, there is no real answer from this book. Yes, you can understand the real situation by reading this book, but you still have to answer by yourself which path that you will choose. Don't take it wrong, it's not a bad thing. Even, it's a good thing.
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Some writers told how they can become rich after struggling a poor life, and some writers told how they still broke until now after publishing several books. This book give us a freedom to choose our own path. Beside that, SCRATCH also told us about the racism in publishing world, how to determine a so-called serious novels, and even how a writer can buy a house. For me, it's a must-read book for every writer that still want to figure out their future.
The interview with Austin Kleon and Jonathan Franzen is my favourites Apr 03, Brandon Petry rated it it was amazing Shelves: coming-of-age , help , own , xapr , , non-fiction , 2nd-k , to-re-read , what-im-looking-for , writing. One of the most useful and interesting books about the economics of being a writer.
Full disclosure Manjula is a friend of mine and thanked me and our writing workshop group in the acknowledgments thanks Manjula! We miss you so I'll admit to a bit of a bias. But that doesn't take away from the wonderful job she has done editing this collection. The book contains interviews, essays and memoirs by and with writers covering all the various ways money and writing intersect. It raises more questi One of the most useful and interesting books about the economics of being a writer.
It raises more questions than it answers and that's a good thing. It's important that these questions are asked even if no one has the right answer. I enjoyed reading some sections more than others but I found something interesting or useful in all of them. A great book for writers at any stage of their career. I hope this books continues the conversation it's started. Jan 29, Leo Robertson rated it really liked it. Will cover this in the podcast asap :. Jul 12, Allison rated it it was amazing Shelves: non-fic , essays. These essays were inspiring and insightful.
In some ways, I thought they'd be more practical - few people other than Cheryl Strayed talk specific dollar amounts in the ways that financial advice books typically do - but they cover such a wide range of topics and aspects of living and working as a writer.
I highly recommend this book. Jan 27, Julie rated it really liked it Shelves: writing.
J. B. Garner – Musings of a Starving Author
I'm still processing my thoughts on this. It was a good view of how many have to hustle for work and money, and for how long. Some of the other essays were more poetic and nice to read, but not as helpful for me, an author trying to figure out if I'm ever going to make this work as a career, or if it will always be I'm still processing my thoughts on this.
Some of the other essays were more poetic and nice to read, but not as helpful for me, an author trying to figure out if I'm ever going to make this work as a career, or if it will always be what feels like a very time-consuming hobby. More than anything, I'm grateful to Manjula Martin for even daring to bring this ridiculously taboo subject into the public conversation.
The weird notion that writers should write for free or almost-free because we love it won't seem to go away, and it's books like this one that will hopefully get people to think about why it's worth it to pay writers. Jan 16, Jess Kibler rated it it was amazing. It's full of so many different perspectives on writing and making money and is without question one of the most useful books I've ever read. Jan 19, Crystal King rated it really liked it Shelves: writing. While enlightening when it comes to how established authors are making money a subject rarely discussed , mostly I found this book to be terribly depressing.
Sep 18, Wendy Bunnell rated it liked it. Interesting collections of essays and interviews about writing as a career, and specifically making a living at it. I like it when I learn something in a book I read. In this book I learned when previously I had only suspected that I will never ever be able to make a living as a writer.
I will always need to work a fulltime job. With that cheery news that my writing will always be a late night, early morning, sneaking time away from my family on the weekends ordeal, I got to read stuff f Interesting collections of essays and interviews about writing as a career, and specifically making a living at it.
About Isabel Costello
With that cheery news that my writing will always be a late night, early morning, sneaking time away from my family on the weekends ordeal, I got to read stuff from a bunch of people who are making a living by their writing, but many of them also by teaching and speaking and blogging or whatnot. When I was in college, majoring in English and not also majoring in education, I had a very snarky professor who had all in this category memorize Hamlet's soliloquy, the prologue to Canterbury Tales, and other memorable ditty so that we could have something to recite by memory in the subways while we were starving, as we were not going to be able to make a living by writing without teaching.
So I went to law school, as I don't enjoy the thought of starving in the subways. Like any anthology, some of these entries were more interesting to me than others. Some were quite insightful, some were funny, many were sad - and some of those were poignant, some were pretentious, some were whiny, and every time where writing a novel was compared to the act of childbirth I thought should entitle the readers as a group to a take a shot of peppermint schnapps shot - social says the mother of 3!
There were also a number of interesting quotes by these writers, and two stood out. Loved that one. My least favorite, and this annoyed me because I otherwise really liked this article which compared MFA programs to New York insiders, called "Against 'Vs'" - the author quotes the Biblical passage of Mark The author as was famously done before by Walt Whitman quotes this passage which states: "I am Legion, for we are many" - or, for the Whitman translation, "I contain multitudes. And then ends her piece with the pithy, "Whether we publish or not, whether we write or not, we contain these multitudes.
We are all legion. Until you look at the Bible verse, in which the speaker saying "I am Legion, for we are many" is a man possessed by demons. And there are so many demons, when Jesus casts them out of the possessed man, the demons leave the man and possess pigs, which all then promptly drown themselves in the sea.
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And the swineherds are very unhappy with Jesus for the loss of their pigs, so they drive him out of town. But the healed man speaks of his good works. Go look it up.
Rebecca Slater (NSW)
It's a very bizarre miracle. Huge pet peeve of mine: If you're going to quote the Bible, then you should know the Bible. Or at least the passage that you are quoting. This isn't buried in some other book. This isn't subtext or translation. This is the bare bones story. Ack, read for some context. When I read the end of this chapter, I put the book down for a week in dismay. But otherwise, an interesting read. Oct 06, Jonathan Maas rated it it was amazing. A no hold bars, honest look at the monetary aspect of the craft This book, curated by the inimitable Manjula Martin , interviews authors to see what they thought about the monetary aspect of what they do.
We have Cheryl Strayed going into debt for twenty years, selling her book - and just getting out of debt. We have Yiyun Li giving up everything to be a writer - and inspiringly still not seeing writing as a source of income. We have Jonathan Franzen being the outlier.
He had a big hit, and now does A no hold bars, honest look at the monetary aspect of the craft This book, curated by the inimitable Manjula Martin , interviews authors to see what they thought about the monetary aspect of what they do. He had a big hit, and now does not have to worry about money. If he was the first interview it would be one thing - but I read him after so many tales of writing poverty - that I saw him as the exception. Note that he comes across very well - he is still in an epic quest to make the cliche-free novel, and is very humble and grateful.
In short - what is the ending message? I'd say write because you love it - despite the fact that every character here tried to do this, with varying levels of success - I'd say don't even think of it as a business until it is one. Have a hit? You have a business. Until then - keep writing, and you can achieve quite a bit of glory, and reach quite a bit of readers before that first deal comes through.
Thank you Manjula! Great book, all around! Apr 07, Karen rated it really liked it. This is a collection of essays and author interviews from the ezine Scratch which, like the book, was edited by Manjula Martin. Martin wanted to tackle the topic of writers and money because it was such a murky gray area.source site
Susan Sontag, the Hunger Artist | The New Yorker
Writers come in all different forms--journalists, novelists, professors, bloggers--but for the most part they don't know what other writers make. Such opaque-ness in the industry breeds insecurity and uncertainty. Then there's the idea that most writers view themselves at artis This is a collection of essays and author interviews from the ezine Scratch which, like the book, was edited by Manjula Martin.
Actually, there's a diversity in how writers deal with money. Susan Orlean also refuses, but admits that she's actually a shrewd businesswoman and negotiator. Lauren Weiner describes what it's like to make bank as a novelist dismissed by the critics and Jonathan Franzen explains why he doesn't like writers who are great at promoting themselves. I found myself relating to many of these pieces, while others stopped me in my tracks. Harmony Holiday's essay Love for Sale is a standout piece from the margins that questions the role white privilege and and capitalism in squashing freedom of expression.
I found myself arguing with Sarah Smarsh, whose choice to leave a safe career in academia I found to be stupid and ill-advised, only to be left wondering what it was about her piece that provoked such a visceral reaction. May 21, David rated it liked it. Most of the contributors are novelists or poets -- may have dabbled in journalism at some point.
No real representation at all of academic writing or issues therein such as the rapid rise of open-access publication in which t eclectic format [some interviews, some career retrospectives, some close examinations of a single topic such as the economics of ad-supported websites, or ghostwriting, or No real representation at all of academic writing or issues therein such as the rapid rise of open-access publication in which the money flows the "wrong" way not only do you not get paid for articles, you pay to publish them.