e-book First We Take Manhattan

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First We Take Manhattan

And I thank you for those items that you sent me The monkey and the plywood violin I practiced every night, now I'm ready First we take Manhattan, then we take Berlin. Ah remember me, I used to live for music Remember me, I brought your groceries in Well it's Father's Day and everybody's wounded First we take Manhattan, then we take Berlin. LETRA They sentenced me to twenty years of boredom For trying to change the system from within I'm coming now, I'm coming to reward them First we take Manhattan, then we take Berlin I'm guided by a signal in the heavens I'm guided by this birthmark on my skin I'm guided by the beauty of our weapons First we take Manhattan, then we take Berlin I'd really like to live beside you, baby I love your body and your spirit and your clothes But you see that line there moving through the station?

Hey, our system thinks you're a bot.

I told you, I told you, told you, I was one of those Ah you loved me as a loser, but now you're worried that I just might win You know the way to stop me, but you don't have the discipline How many nights I prayed for this, to let my work begin First we take Manhattan, then we take Berlin I don't like your fashion business mister And I don't like these drugs that keep you thin I don't like what happened to my sister First we take Manhattan, then we take Berlin I'd really like to live beside you, baby And I thank you for those items that you sent me The monkey and the plywood violin I practiced every night, now I'm ready First we take Manhattan, then we take Berlin I am guided Ah remember me, I used to live for music Remember me, I brought your groceries in Well it's Father's Day and everybody's wounded First we take Manhattan, then we take Berlin Comparte si te ha gustado.

Letras de Canciones.


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The fact that there are no alibis or no compromises. A towering, slithering composition of synthetic bombast -- bass, horns, strings, drums, all artificial -- the instrumental sounds alluring, soulless, and forcefully irresistible.

With every measure, the song feels like it's advancing , with Cohen the fleet's cackling commander. With much of the country currently fearing for the safety of their way of life, it's an appropriately terrifying listen. Even with all these eerily timely portents, Cohen again saves his song's richest commentary for its refrain.

The phrase "everybody knows" is repeated dozens and dozens of times throughout the song, prefacing nearly every notable point and following many others, echoing its titular sentiment until, as with "Manhattan," it becomes thoroughly unconvincing.

And that's about right, too: If there was one true lesson to be learned from this election season, it's that what Everybody Knows is rarely ever "known" by more than half the populace, and that both sides are too often blinded by their assuredness of an obviously shared perspective when, in reality, everyone sees their own side of the truth. Cohen seems to understand this, exaggerating every syllable of his chorus until it sounds like he's laughing at his own ridiculousness.


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He should be. And even though Leonard Cohen has now passed, the continuing timeliness of these songs ensure that his presence will endure whenever we need them to turn to. Everybody knows that's what the best songwriting is for, anyway.


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